UNTOUCHABLE. The best
thing about fall is that
the new prime time season begins on network TV, which means we can
finally get some relief from the disturbing news images of violence in
Iraq and drowned and murdered people in New Orleans. This week should
be one of the greatest in the whole history of television because not
only can we feast on the returning entrails of
CSI, CSI Miami, CSI New York, and
NCIS, but we can also plunge our
hands wrist deep into the brand new gore of shows like
Bones, Killer Instinct, and (for
all we know)
CSI Alamagordo, CSI
Bangor, and
CSI Cleveland.
There's talk that the reality show craze is fading and that the
up-and-coming genre is science fiction, but when the dust settles it's
our bet that the forensic procedurals will still be the bedrock on
which network ratings stand or fall. When you think about it, what
could ever be better than the blue late-night light of a morgue and the
fascinating interactions of the Cast* with their laboratory equipment?
Those fibers! That blood spatter! Bug larvae! Pollen grains! Partial
fingerprints lifted from used Kleenex! Security cameras that catch the
action in 1024x768 screen resolution! Desktop forensic computers with
more graphic FX than
Grand Theft Auto
and more processing power than a Cray supercomputer! Twenty minute DNA
tests! Luminol glowing on the seats of dissected SUVs! Severed body
parts! Y-incisions on large-breasted dead women so nude you could see
EVERYTHING if that damned old fart of a medical examiner would just
move a hair to the left! And always ALWAYS a constant stream of new
dead bodies shot, poisoned, burned, strangled, beaten, mangled,
violated, disembowelled, crushed, melted, and turned inside out for our
viewing pleasure.
*You know, the unsmiling middle-aged white boss, his beautiful,
brilliant, busty girl(s) Friday, and all their tall, short, thin,
young,
gorgeous, spiky haired, and occasionally ethnic technical weenies, not
to mention the the dumb-as-rocks detective and the world weary
old medical examiner with a half-empty whiskey bottle in his autopsy
cart.
That's why we figure it's about time to make some money from our own
favorite part of the CSI circus -- the riveting segments when the key
pieces of evidence are analyzed in the lab against the driving beat of
some nameless track of electronic Muzak. We've done what nobody else
has dared to; we've compiled the very best of forensic lab music into a
fabulous CD called
The Very Best of
Forensic Lab Music. Now you can enjoy the shows even when
they're not on (a remote eventuality, we admit, owing to the
round-the-clock CSI schedule of Spike TV, but hey, we're just trying to
turn a buck here). Just fire up the CD, kick back, close your eyes, and
imagine your own glorious kaleidoscope of guts, tweezers, fingernail
scrapings, semen stains, post-mortem bruises, corpse eyes, churning
computers, and lab coats tailored like bustiers.
All you have to do is send us $19.95 (plus $8.95 for shipping
& handling), and we'll send you
The
Very Best of Forensic Lab Music. In fact, if you order right
now, we'll sweeten the deal with
two
half-sized copies of the CD and a
three-month supply of genuine white
plastic forensic gloves.
Our guarantee: You won't experience a single moment of nausea induced
by footage from the sickening war in Iraq or the needless carnage in
Louisiana for THREE FULL MONTHS or your money back (except S&H
fees, natch). How's that for a deal?
We thought so too.