Archive Listing
December 10, 2008 - December 3, 2008
Friday, October 12, 2007
Historic Rendezvous
InstaPundit
and Ann Althouse
PSAYINGS.5A.40.
Can you believe it? The photo above records the first ever meeting
between
Glenn
Reynolds and
Ann
Althouse. It happened yesterday in New York.
Yesterday. Mark the date on your
calendars. In blogger terms, this is the equivalent of an 8.9 on the
Richter Scale.
A friendly word of warning to Glenn, though. Be careful, Big Guy. That
Ann's a real siren. The way you two carry on electronically already
reminds us of another legendary couple:
Just keep things virtual, if you know what we mean.
Thursday, October 11, 2007
PREDICTION:
Atlas Won't Shrug

A Very
Odd Couple: Angelina Jolie and Ayn Rand
PSONG
20. Yesterday,
Michelle
Malkin noted the 50th anniversary of the
publication of
Atlas Shrugged,
the extraordinary paean to capitalism written by Ayn Rand. She also
revealed the incredible fact that Angelina Jolie has been signed to
star in a movie version of the book. If you haven't read the book, you
can't know just
how
incredible this circumstance is. The folks at
IMDB.com confirm that the
project is in some stage of development, and they include a plot
synopsis. Here's an excerpt:
Enter a world of corporate
bureaucracies, where railroad executive Dagny Taggart struggles against
mounting odds to keep her company, and her industry, out of the toilet.
In the course of her struggles, she meets many adversaries, a few
allies, and a handful of characters she cannot quite figure out. Among
these are Hank Rearden, Francisco D'Anconia and a cadre of others. An
increasingly present, and mystery thread to the story, is the presence
of graffiti, asking the simple but mysterious question "Who is John
Galt?" This seemingly simple question begins to haunt Dagny Taggart as
she struggles with feelings of confusion related to her personal
relationships, her struggles with politicians and bureaucrats, and the
continuing disappearance of heads of industry whom she considers
kindred spirits. As more and more of the heads of industry abandon
their companies, and condemn those industries to ruin at the hands of
politicians and bureaucrats, Dagny embarks on a series of quests to
discover the answer to 'little mysteries' (Who smokes premium
cigarettes wrapped in gold paper embossed with dollar signs? Who is
John Galt? Where are the heads of industry going? What does the world
do when the people whose efforts make things run correctly stop
contributing?)
I'll tell you right now the eventual shooting script will bear little
relation to this synopsis and even less to the unmistakeable
intentions of Ayn Rand. (Check out the message boards already starting
up at IMDB.com) There is simply no way the book Rand wrote can
be transformed faithfully into a movie by left-wing Hollywood, whose
loudmouth political activists are living caricatures of the philosophy
Rand was attacking in every word of
Atlas
Shrugged. Her loathing of the socialist egalitarianism best
exemplified by Berkeley and Hollywood leftists was utter, devoid of any
shade of nuance. She didn't believe in income redistribution or a
social safety net of any sort. Her ideal was a pure meritocracy in
which absolutely unfettered capitalism rewards those who work,
innovate, and take risks in the market. Not much is said about those
who are incapable of work or unwilling to work. Presumably, they will
learn when their straits become dire enough.
The book is also unabashedly pro-American. One of the characters in
Atlas Shrugged delivers a five- or
ten-page speech celebrating the fact that the United States is the only
nation in history to employ its own initials ('U" superimposed on 'S')
as the symbol of its currency, thus demonstrating the cardinal value of
the nation (regardless of any cracker-barrel platitudes we may repeat
as a pretense of altruism.) God, for example, is conspicuously absent
from
Atlas Shrugged; Rand was
an atheist, which along with her ruggedly individualistic feminism, was
all she had in common with the 'progressive' community in which this
movie will be made. Nor is the atheism incidental. Rand was a product
of the Soviet system, a supreme rationalist who created her philosophy
in direct opposition to the equally atheistic rationalism of Marxism.
Time and again she assaults the concept of "the greatest good for the
greatest number," arguing that personal sacrifice is actually immoral
and, correctly, that most of what we think of as sacrifice is not. The
mother who goes hungry in order that her child may eat is not
sacrificing anything. She is simply choosing an alternative she values
more highly than her own physical well being. But the more abstract and
remote from the individual such choices become, the less legitimate
they become. At the extreme, the requirement to sacrifice personal well
being in deference to the needs (or demands) of an entire populace
amounts to annihilation of the individual self.
Rand's writings are as extreme -- and as unrealistically
black-and-white -- as the rationalist totalitarian system her personal
experience inspired her to oppose. That's why her books have always
been most prized by those who read them very young. (I note that
Michelle read
Atlas Shrugged
in high school, at about the same age I did.) Her sensationally radical
opposition to a lot of unexamined social pieties provides a clarity
that enables young minds to see a bigger picture they never knew was
there. For most, the result is a kind of intellectual breakthrough
which leads through time to a better educated and usually more
temperate view of the ideal social contract; for example, one in which
an individual may feel some responsibility for the well being of people
he doesn't know personally, or in which a soldier may give up his life
for his country without its being an immoral sacrifice.
But the residual Rand effect is still dangerous to leftist orthodoxy --
a core belief in the power and worth of the individual, on whose best
achievements the success of whole nations and societies depend. No
organization, no committee, no plurality of mediocrities can serve as a
substitute for outstanding individual achievement. And if the
incentives for the best and brightest among us are taken away, or too
seriously diminished, the entire culture will crumble.
This is the irreducible nut at the center of
Atlas Shrugged, and it's one
Hollywood just won't be able to swallow. The story will have to be
changed. The script will be rewritten endlessly until a way is found to
spit out the nut. It will go through drafts as a Bush-bashing allegory,
an anti-war parable (business is war by other means, right?), an
allusive prefiguring of the worldwide economic crisis wrought by Global
Warming, a melodrama symbolic of feminist battles against the
patriarchy, a shallow screed against corrupt (Republican?)
politicians, a complete reversal in which the disappearing industrialists are portrayed as villains for abandoning the parasitic sheep who feed off their talent... and, in fact, anything and everything BUT what Ayn Rand
was saying on every page of her 1000+ page book. The most unlikely
miracle of all is that a movie will ever be released in theaters.
You can take that to the bank.
I don't mean to be a wet blanket to all you Rand fans. I'm just trying
to be realistic.
P.S. The
sound file contains excerpts from the music I listened to
continuously while I was reading
Atlas
Shrugged when I was fourteen. Don't ask me
why. It just seemed to fit.