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February 16, 2011 - February 9, 2011

Sunday, April 25, 2010


Announcement: Spin-Off Blog

The real reason Muhammad didn't want his likeness shown: He's a pig-girl.
A hot one, too. Who refused to wear a burka. Excuse me a moment.


MAY 20? Why wait a month? Muhammad sucks now.

Kurt Westergaard, who drew the now-classic bomb-turban Muhammad, best gives voice to our proper outrage.

Many of the immigrants who came to Denmark, they had nothing. We gave them everything - money, apartments, their own schools, free university, health care. In return, we asked one thing - respect for democratic values, including free speech. Do they agree? This is my simple test.

Of course, too many of them fail this test. One day's not gonna be enough to smack some gratitude into these idiots. Insulting Muhammad needs to be a way of life. It needs to be a part of everybody's everyday routine, like checking email, or putting dishes in the sink. We need to carve out a few minutes as a matter of habit each day to let these idiots know we do not bow to thugs and losers. No matter how sharp their curved swords, nor how loud their foreign-sounding jibber-jabber.

To this end, we've started a little spin-off blog. Daily Muhammad will mock the worst world religion once a day, every day, until a suicide bomber makes a wrong turn at Albuquerque and nukes Mecca. And a few days after that, too.

Stand up. If anything matters to you, stand up. And stay on your feet.




Friday, April 23, 2010


American Pastime
This is how it feels when your team wins the big one.

FULL PARTISAN DISCLOSURE
. I wrote a couple of days ago about the need for a "humor resistance," but perhaps I should have broadened it to a "life resistance," because laughter is not the only medicine for what ails us. I also noted, just yesterday that I was glad to see George Will had returned to the fight with considerably less snootiness than he was displaying a year ago. I was pleased that he compared NJ governor Chris Christie to a "burly baseball catcher." His metaphor seemed positively homespun.

But I was unprepared for what I heard this morning on Philadelphia SportsTalk radio (WIP). Host Angelo Cataldi had an interview with -- surprise! -- George Will, whose baseball book Men at Work has just been rereleased ten years after its initial publication. I've written before about the leftwing bias that seeps into WIP commentary, and so I was surprised again when Cataldi praised not just Will's baseball writings but his political punditry. Then I found out other things I didn't know. Men at Work is the bestselling baseball book ever written, surpassing the success of Roger Kahn and Roger Angell (E.B. White's son), who both wrote lyrically and brilliantly about the national pastime in the days before the NFL became the 800-pound gorilla of American sports. I knew George Will was an accomplished student of the game, but I guess his blind allegiance to the pitiful Cubs blinded me to his greater allegiance to the game itself. My bad.

I'll get back to Will a bit later, but I have to describe the additional shocker that was the catalyst for this post. Just a few minutes after I heard the WIP interview, I stumbled across Charles Krauthammer's latest WAPO column. It's about -- drumroll, please -- baseball. Specifically, the great man's love of the hapless Washington Nationals. There is something wistful and determinedly self-therapeutic about his fondness for baseball's worst team:

I’m a former Red Sox fan, now fully rehabilitated. No, I don’t go to games to steel my spine, perfect my character, or journey into the dark night of the soul. I get that in my day job watching the Obama administration in action.

I go for relief. For the fun, for the craft (beautifully elucidated in George Will’s just-reissued classic, Men at Work), and for the sweet, easy cheer at Nationals Park.

You get there and the twilight’s gleaming, the popcorn’s popping, the kids are romping, and everyone’s happy. The joy of losing consists in this: Where there are no expectations, there is no disappointment. In Tuesday night’s game, our starting pitcher couldn’t get out of the third inning. Gave up four straight hits, six earned runs, and as he came off the mound, actually got a few scattered rounds of applause.

Applause! In New York he’d have been booed mercilessly. In Philly, he’d have found his car on blocks and missing a headlight.

No one’s happy to lose, and the fans cheer lustily when the Nats win. But as starters blow up and base runners get picked off, there is none of the agitation, the angry, screaming, beer-spilling, red-faced ranting you get at football or basketball games.

I'll overlook the Philly libel (although I'll have more to say about it anon), because he has a larger point which he articulates eloquently:

Baseball is a slow, boring, complex, cerebral game that doesn’t lend itself to histrionics. You “take in” a baseball game, something odd to say about a football or basketball game, with the clock running and the bodies flying.

And for a losing baseball team, the calm is even more profound. I’ve never been to a park where the people are more relaxed, tolerant, and appreciative of any small, even moral, victory. Sure, you root, root, root for the home team, but if they don’t win, “it’s a shame” — not a calamity. Can you imagine arm-linked fans swaying to such a sweetly corny song of early-20th-century innocence — as long gone as the manual typewriter and the 20-game winner — at the two-minute warning?

I think he's groping toward several points here, which is why he seems to contradict himself fatally in the space of a couple paragraphs. If baseball isn't about "red-faced ranting," why the slams against baseball fans in New York and Philadelphia? His attraction to the Nationals is a kind of nostalgia, as if he's watching some team from the innocent American past play against the win-at-all-costs present. He's found a personal refuge from the vicious politics in which he's immersed every day in the nation's capital. And he's actually afraid of what will happen if the Nationals start to get good:

But now I fear for my bliss. Hope, of a sort, is on the way — in the form of Stephen Strasburg, the greatest pitching prospect in living memory. His fastball clocks 103 mph and his slider, says Tom Boswell, breaks so sharply it looks like it hit a bird in midair... I

I’m worried. Even before Strasburg has arrived from the minor leagues, the Nats are actually doing well. They’re playing .500 ball for the first time in five years...

They might soon be, gasp, a contender. In the race deep into September. Good enough to give you hope. And break your heart.

Where does one then go for respite?

Answer? Baseball. At some level, he knows that, else why reference the anachronistic ritual of thousands of fans singing "Take Me Out to the Ball Game" during every seventh inning stretch. He's on the verge of remembering something he needs to remember but that is hard to remember because of where he lives and what he does. Baseball fans are the closest thing there is to the Tea Party phenomenon, and they suffer from the same mostly unfair slanders, some of which Krauthammer has thoughtlessly repeated. Permit me to use Philadelphia as an example.

Yes, there are boo-birds. But they are a tiny percentage of the fans who follow the team. Something like the few glunks who show up at tea party rallies with racist signs. They cannot compare to the outpouring that followed the death of broadcaster icon Harry Kalas, who filled the ballpark with mourners. He was ours and no one threw beer or punches. Time for some math, which is especially relevant in Philadelphia's case because the past few years have reminded even WIP sports analysts that their city is, and always has been, a baseball town as much as a football town. The Eagles always sell out their seats, which at eight games per year, amounts to less than half a million well-heeled asses in the stadium. The Phillies, on the other hand, sold out 72 of 81 home games last year, for a total of about 3 million in season attendance or six times what the Eagles get each year.

And, as has been abundantly pointed out elsewhere, the Philadelphia Phillies have lost more games than any professional sports team in history, over 10,000. The truth is that baseball loyalties run very very deep and are local in a way that the NFL can only envy. WIP hosts experience a constant stream of Philly residents who root for other NFL teams, most notably the more successful Steelers and the hated Dallas Cowboys, and they have a practice of hanging up on them with formulaic epithets. This is not the case with baseball. On the contrary -- and I've observed this in early games this season in Washington, Florida, and Atlanta -- the transplanted Philadelphians in these cities are so numerous in their jerseys and caps that their cheering for the Phillies sometimes rivals that of the home team's fans.

Baseball allegiance is a lot like patriotism. Its intensity may ebb and flow, but it is always there, an inviolable component of personal identity. Philadelphia has been so vilified as a locus of thug fans that no Philadelphia team will ever become America's team. The Phillies fans who sometimes outnumber National fans in the National ballpark are Philadelphia born if no longer resident there. They "cling" to their team because they cannot do otherwise, like all the armchair ladies with their cigarette coughs who watch (or listen to) every inning of every game all season long, year after year, win or lose. They call into WIP, too, and they know their baseball. They worry, and they may criticize, sometimes harshly, but they never give up rooting for their team.

Interestingly, George Will knows this too. In his WIP interview he reminisced about his stint in graduate school at Princeton, where he used what free time he had to attend games at the Polo Grounds in New York and Connie Mack stadium in Philadelphia. He stressed that the element he found most inspiring was this very localness, the sense that the team was of the city and its neighborhoods, a family affair. His words resonated with me because the first major league baseball game I ever saw was at Connie Mack stadium, a complicated and antique structure that made it hard for a kid to see what was going on for all the pillars and overhangs in the way. But I saw Dick Stewart (also affectionately/derisively known as "Dr. Strangeglove") blast a titanic grand-slam homerun to win the game. Which is why the clip from "The Natural" above is like an instantaneous wormhole to my childhood. Dick Stewart was a Phillie. I was a Phillie fan, born and bred. We won. I was there. That slicing line drive into the right field stands was part of my destiny. I was a kid.

You see, there's a huge difference between baseball and football. I've written before about the role football plays in the seasoning and toughening of American youth, which is a great secret strength of our country, but baseball has other, perhaps more important virtues. Krauthammer is flat wrong to call it a "boring" game. It's slow, complex, and cerebral all right, but it's not boring. It is, rather, like life itself. You get out of it what you put into it. Its complexity is infinite, and despite what contemporary NFL advocates claim, its complexity is an order of magnitude beyond football's. Football is, like the military, all about building an intricate machine in which perfection is defined as human cogs executing perfectly under fire. Only one quarterback in the NFL has the freedom to call his own plays. Baseball's complexity, like the game itself, is an artistic synthesis of individuals serving the team with individual knowledge, skill, and, yes, wisdom. Every fielder on a baseball team is responsible for calling his own response to the batter's response to a pitch. Every baserunner the same; if his judgment fails, no first or third-base coach can save him. Every batter the same; when he gets a green light, he's on his own when it comes to guessing the pitch and avoiding a strikeout or double play. A great baseball team is never a machine. It's a hybrid -- much like America -- of separate persons who come together by taking advantage of and compensating for the strengths and weaknesses of its members.

Every pitch is an infinity of possibilities. There is no clock. There is no need for any game ever to end. That all games do end in the major leagues (little leagues have a mercy rule) is a testament of competence the NFL does not require. In football, the clock ticks down mercifully to an inevitable end.

Krauthammer is afraid of what happens to his peace of mind if the Nationals become a contender. He's been in Washington too long. Baseball is American life. That's why he's drawn to it, whether he knows it or not. It can be jovial and easy and tolerant as he is presently finding so healing with his Nationals, or it can be a slow, chesslike war, with ordinary fans playing their part with startling effectiveness, as when the despised Phillies fans turned the at-bat of pitcher Brett Myers into a series changing event against ace C.C. Sabathia in the World Championship 2008 season. The supposedly neanderthal Philadelphia fans knew that making the infallible Sabathia waste countless pitches on a pitcher might break his spirit. When Myers drew a walk, the fans reacted as if it were a homerun. Which in a way it was. It's a phenomenon called baseball.

Something like a Tea Party. The time comes when it's not enough to be an audience or a bystander. The masses suddenly have their part to play and they play it, intelligently and effectively.

One final point before I go. The NFL keeps advancing and changing itself, so that the game today resembles the game of yesteryear not at all. Baseball, on the other hand, is cyclical, like the American spirit. (The clinching reason I wanted to do this post.) Right now, the Phillies have the hottest pitcher in baseball. (Current ERA, Zero-point-something ) Last week, after win No. 3, WIP began soliciting nicknames for their brand new star, Roy Halladay. Callers were pretty fond of the obvious "Doc Holladay." Hosts were skeptical and kept advancing reminders of pitchers past like Steve Carlton, resulting in a bid for "Ace Holladay."

But I'm an old guy and so I thought once again of the video up top. The man's given name is "Roy." He's an old-time ballplayer. He can't stand to lose. He arrives at the ballpark before anyone else and leaves after everyone else. Unlike some of the current enthusiasts, I don't expect him to be untouchable all year. But it's clear he will fight to win every game he's in. I'm thinking of him, atavistically, as "The Natural." Roy Hobbes, after all, started out as a pitcher until he got derailed by a bizarre maniac.

I'm also thinking here of the difference between the book and the movie. In Bernard Malamud's novel, Roy Hobbes threw the pivotal game (not as in pitching it but deliberately losing it). In the movie, he won the pivotal game. Something about a difference in worldviews? We're seeing a difference in worldviews right now. The difference Krauthammer is trying to deal with. Maybe he should abandon the easy comfort of not caring about winning and start rooting for, well, the roots of America's pastime: the beauty of loyalty and principle represented by a community force that refuses to surrender to all the temptations to quit.


The Natural.

I've said some mean things about George Will. Now I'm asking you to read his book. Why? Because he knows we need something more than politics to get us through this season of crap. Which makes him a wiser man than I gave him credit for. And he knows a lot more about baseball too, including some things sublime. Uncharacteristically, Charles Krauthammer is fumbling in the dark. But quite properly, he's looking for hope of the un-Obama kind. We're just trying to help. If anyone can see the light, he can.

P.S. Sorry, Puck Punk. I appreciate The Hockey because Mrs. CP loves it so. But nothing can ever really compare to The Baseball. For those of us who grew up as fans and felt the supreme American-ness at its core. Forgive me.





InstapunkSouthPark
Supporting South Park:

I have an idea...

The Prophet Mohammed. Cute, ain't he?

WHATEVER CAN WE DO (WRINGING OF HANDS)? 
Let's ALL do it. Face it. It's pretty easy to take sides in the South Park-Comedy Central fracas. Some people are congratulating them on their bravery. Easy. Some people are damning the cowardice of Comedy Central. Easy. Others are saying let's stand up and support Matt Stone and Trey Parker. By, uh, saying we support them and maybe signing a petition. Easy.

Has it occurred to anybody that this vast thing called the Internet is the automatic answer? If we believe so much in free speech and not being intimidated by muslim thugs, we have it absolutely in our power to turn the tide. Uh, We are the World. If every "brave" proponent of free speech in the United States posted his own image of Mohammed, thousands and thousands of them, there would be too many of us to kill. We'd be an avalanche that would make their sorry jihadist threats puny by comparison. They can't kill us all.

Want to show your support for Matt Stone and Trey Parker? This is exactly how easy it is. Well, you've got to have some minimal PhotoShop skills, but other than that it's just a balls call.

So here you go, Hotair. Here you go, InstaPundit. Here you go, Ace of Spades. Here you go, Big Hollywood. Here you go, NRO. Here you go, all you free speech advocates, all you irate columnists and bloggers on the right who ache for the dead Dutchman and wish there were something, anything, you could do to prove your courageous solidarity with the two flippant assholes who are South Park.

It really is this easy. Didn't realize that? Maybe it's a punk thing.

P.S. I have no idea how to contact other sites except for Hotair.com. Anybody who knows how is urged to do so. I'm deadly serious about this, but my ability to execute is almost zero. Check in, as you can, to let us know whom you've contacted...

To be crystal clear, I'm asking all of you to contact the whole world, not just the sites I've named here, although they're the first priority. Whether we agree with them or not, the Stone and Parker newens are still punks, and they are putting their lives on the line. I'm sure some of you can cite the chapter and verse in the Punk Testament which makes that OUR business as well. Please get to work.




Thursday, April 22, 2010


InstapunkQuickHits

Up the Down
Escalator



FILE CATEGORY: ALWAYS RIGHT. Just over a year ago, I posted the video above and predicted that conservatives who kept bucking the admittedly overwhelming Obama tide would eventually catch the ear of the American people. How's that prediction working out for me -- and you? I think it's time for a snapshot view of what conservatives are talking about right now, which I offer with the suggestion that you try to remember how likely or unlikely such conversations would have seemed early in April 2009. Remember: back then, even conservatives were in retreat, wondering if their ideas had been slain in the Obama wave and just how much compromise would be necessary to retain a voice in future policy-making.

For example, everyone here knows I generally like The Corner at The National Review. But it seems to me that I was the only conservative who got his dander up at Corner poster Jim Manzi, who's an archetype of the super-intellectual, nominally conservative appeaser of liberal elites and their technocratic causes. I specifically took issue with his pompous stands on global warming and torture, which were riding high even in conservative circles back then. In fact, I called him a dolt in two posts directly related to the 'escalator' post referenced above.

So imagine my surprise at reading this post at The Corner today:

The Real Epistemic Closure   [Andy McCarthy]

The most appalling thing about Jim Manzi's attack on Mark Levin's Liberty & Tyranny is its pompous invocation of "epistemic closure" as a cudgel to beat the side of the climate debate arguing for epistemic openness — and trying to make that argument against transnational scientific elites who desperately seek to enforce ontological closure in a most unscientific manner.

Timely, then, that we should be treated to an Earth Day essay in the Wall Street Journal from MIT's Richard Lindzen, who manages to meet the Manzi standard of "very serious climate scientist" despite having been cited by Levin. Prof. Lindzen is appropriately chagrined. Global warming alarmists, he concludes, have been discredited over the past several months by the scandalous disclosures about their decades-long shenanigans, yet, you'd never know it. Why? Because purportedly serious people are ignoring, discounting, and suppressing the evidence, as well as resorting to the old stand-by of ad hominem attack against critics — "suffused," Lindzen recounts, "by illogic, nastiness and outright dishonesty." (He doesn't mention whether he's picked this up by reading the Corner in the last day or so.)

Lindzen disparages "the official scientific community" — a group that mirrors what Manzi reverentially calls the "global scientific establishment" — for its transcontinental conspiracy. He accuses it of colluding in an effort to wait until the current controversy dies down before "reasserting" unsupported claims of "climate catastrophe" to government policy makers and funding agencies. He powerfully suggests that scientific elites are (to borrow a phrase Manzi uses in ridicule mode) "too trapped by their assumptions to incorporate [contradictory] data rationally."

Remarkable to read Lindzen spout such wingnuttery when, as Jim points out, none less than the national science academy of Mexico itself has not rejected the notion of man-made global warming. I'm ashamed to admit, though, that to me, Lindzen doesn't seem like a kook who probably thinks the Queen of England and the Trilateral Commission are in on a farcical global science scam. But what do I know? I don't even have a Ph.D.

My my. Do I detect a near punk tone of voice in the April 2010 edition of The Corner?

Are moderate rationalists and intellectual conservatives beginning to discover a need to start climbing that down escalator? Well, maybe. Here are a few links you'll have to look up and read for yourselves. They aren't all by former or temporary apostates. But they're all indicative of a new ballsiness, a refreshing confidence that the war being waged against us might actually be won and that it's less important to bash the so-called 'dummies' amongst us than to focus on the catastrophe being inflicted on us by the self-anointed smart ones.

A year ago, George Will was spending an inordinate amount of time looking down his nose at Sarah Palin. Today he's touting the promise of NJ Governor Chris Christie, who suddenly doesn't look so much like a Sopranos plug-ugly as a "burly baseball catcher" who's playing hardball in the most heavily taxed state in the union. He's even celebrating the big man's new monicker, The Trenton Thunder. He's right and I'm glad to have George Will back on our side.
 
The folks over at Hotair have been merciless with everyone they consider a "Birther." But today they had the grace or fairness or epiphany, or whatever it was, to link this very sensible summary of the Obama birth certificate mystery. I will not carp at past excesses. I congratulate them instead for acknowledging that even conservative positions can have, uh, nuances.

National Review print editors also surprised me today. I've been wondering since the inauguration how long it would take our best and brightest to realize, finally, that Barack Obama isn't really a likeable guy, but an arrogant prick. Something so obvious generally takes the best educated among us a lifetime to perceive. They've done it  in less than a year and a half. (I forgive the unnecessary slap at Palin; they can't help themselves when it comes to Ivy League snobbery.)

Now Mona Charen has always been made of sterner stuff. But read this and ask yourselves if you thought you'd be reading something like it a year after Obama's first Roman spring.

And ask yourselves if you'd have believed that an ordinary citizen would rise up and smack an MSM columnist in quite this dismissive and triumphant a way.

Then plow through all four segments of this annihilation of anti-capitalist propaganda being promulgated in the public schools. This rebuttal video has succeeded in getting its target ejected in multiple public school curricula.

Keep walking up the down escalator, my friends. I'm thinking that's what Hugh Hewitt had in mind with this appearance on MSNBC.



But I question his judgment nonetheless. I think, like the rest of us, he has to learn that this is a war, not a college debate.

Right now, though, I'm feeling hopeful. Maybe even Hugh Hewitt can join us at the barricades with a cutlass in his teeth. Eventually.




Wednesday, April 21, 2010


Internet Life
THE FRANKLIN INSTITUTE IS COOL. The times we live in. Mrs. CP found this, no doubt because we have a red-tailed hawk family that nests in our yard year after year. We watch them fly in with the nest makings for days every spring, but we never get to see what's showing on the Internet now -- the live 24/7 process of hatching eggs and caring for the young.

People talk a lot about the downside of technology's virtual thrills, but that's only part of the story. I'm amazed that this supposedly unreal and soul-destroying electronic universe can leap the gap between our bay window and the natural drama unfolding invisibly a hundred yards away.

The race of mankind has its faults, to be sure, but it is also capable of extraordinary wonders.





Interesting...


A SNIP OF THE GIPP. You've probably seen this already since it's featured on several sites. (My own hat tip goes to Jonah Goldberg.) But I'm struck by the contrasts no one seems to want to notice. It's actually a live performance. Reagan is out of breath at the end because he's just finished the climactic action scene. What do I notice? James Dean -- the "rebel without a cause" who made self-destruction a generational fad -- seems like a squeaky shrimp next to Reagan, and (if you're fair) he's the lesser actor in the piece, or more accurately, the over-actor in the piece. There can't be too many acting gigs harder than live teleplays, which are an impossibly contradictory combination of stage acting (live and broad) and film acting (small and detail intensive). Dean is regarded as the vanguard of antihero film actors, but here he's too broad for the venue, while Reagan is, well, the one I keep looking at. Odd, eh?

I'm NOT saying that Reagan had more acting talent than Dean. I'm saying that when I hit "play" I expected to cringe at Reagan in such a challenging circumstance and found myself cringing at Dean instead -- actually having to look away at times. Reagan, on the other hand, looks like a, uh, pro. And surprisingly good looking. He's the one who looks like a movie star. He was 43 when this was made. Maybe that was the peak of his cinematic attractiveness.

Reagan as a pro. That's what's interesting. As I look at Obama, I keep thinking "amateur." I'm not the only one. Ed Morrissey at Hotair has a feature called "Obamateurism of the Day." But who isn't an amateur at being president? It's not like there's anyplace where you can learn the job ahead of time by being a "practice president." But there are presidents who seem to know, instinctively, how to do the job. In the twentieth century, I know of three: FDR, JFK, and Ronald Reagan. Of these, the one with the fewest unforced errors (er, dumb screw-ups) was Reagan.

And James Dean was long dead and buried before Reagan took on his biggest role. What is talent, who has it, and how do we measure it?

Just some thoughts on a snippet of show biz errata.





Courtesy of Brizoni...


FDS. Our perennial prodigal checked in via email to insist that you all drink in this exercise in French statecraft. Or, in a typical tour de force of Brizoni understatement rendered word for word:

Apropos of nothing, maybe you can do something with this, the Frenchiest Frenchness I've ever seen. Clips of what look like Godard's home movies cut to a Serge Gainsbourg song sung by the actual French First Lady. That it's in English only makes it Frenchier-- totally magnifies the hip ennui. It's like Galactus ripped France off the continent and, twisting it mightily, wrung a few drops of pure concentrated Frenchitude into... Charlemagne's goblet, or something. How are they the ones banning the burkha?

I'm tempted to cheer, but conscience compels me to acknowledge that this past weekend, I subjected the stepdaughter to the following Edith Piaf song because I believed she was losing her native sense of romance. Which would be an XY-gen tragedy. Love is still the wine that drinks our souls and savors their flavor.



You know. Full disclosure. I hate the French but I love them more. C'est la guerre.

Even though Brizoni's absolutely right on this one.




Tuesday, April 20, 2010


An Impolitic Recommendation

From Manhunter. By Shriekback.

NEWER AIN'T ALWAYS BETTER. Mrs. CP wasn't feeling good yesterday, and so we put her on the couch in the media room and turned her loose on the "On Demand" menu. To my dismay, she chose to watch on Comcast's "Fearnet" list the 1986 movie Manhunter. I should have known better. I can't watch movies as many times as she can, and I thought I was going to be bored by the star-making vehicle for William Peterson and Michael Mann. I wasn't.

It's the best movie ever made about serial killers, including the Silence of the Lambs trilogy (quadrilogy?) that followed from the same source material. I thought I was going to be put off by all the highly stylized sets -- white, white, white with darkness implied -- and the Miami Vice style of barely audible musings instead of dialogue. I wasn't.

I confess I haven't seen the remake (Red Dragon), but I know it had Anthony Hopkins instead of Brian Cox [corrected] as Hannibal Lecktor, and having seen Manhunter again, I believe Brian Cox was more scary, sinister, and real-world creepy than Hopkins's Katherine Hepburn impression.

What makes it all work so well is the twin premises of 1) Peterson as a hunter who truly gets into the head of his quarry and feels all the attendant pain, and 2) a portrayal of the killer that is human, sensual, and as close to sympathetic as it's possible to get with a monster. There's an eerie sexuality to the Red Dragon's scenes with his girlfriend, Joan Allen. You can actually feel the eros of his vicarious satiety when he arranges for his blind lover to feel the body of a sedated Bengal tiger, even as he shrinks from any contact with his cosmetically reconstructed cleft palate. The serial killer as a fatally damaged human being, not a twisted cartoon superhero.

The music also drives it all home; hence the YouTube clip above.

But it's a dangerous time for conservatives to be understanding about violent crimes. So forget I said anything. But if you want to watch the movie, I'm not stopping you.





Fore!

Concentrate on the "without tears" part.

MAYBE SOMEBODY PUT ME UP TO THIS. I'm just listening to Rush Limbaugh lamenting the fact that his "stack of stuff" contains none of the usual lighthearted items. He's right. For weeks and months now, the news has been all bad, discouraging, depressing, and even tragic. Maybe it's time for a resistance movement of sorts.  We can't make ourselves a gulag before the government does it through force of law, can we? Which is why I was actually pleased that a Washington Examiner editor came forward to defend Obama's golf outings, for which he's been getting some harsh press of late.

No, I'm not going soft on Obama. I'm getting tough on secular Calvinism, which has to be the worst of both worlds. An excerpt from Stephen Smith's Examiner column:

On my way to work on Monday -- "a day when all of nature cried fore," in the words of noted golfing writer P. G. Wodehouse -- I was startled to hear my Better Half denounce President Obama for slipping off to play a quick 18 holes the previous afternoon.

Volcanic ash had forced the cancellation of his planned flight to Poland for President Lech Kaczynski's funeral, so he did what any red-blooded guy would do, or so I reasoned.

My wife, inflamed by an item on Drudge that morning, was in not in a reasonable mood.

"I am not against a golfing president," she said. "But what he should have done is gone to church and prayed for the poor Polish president."

I immediately thought of Millicent, a character in a Wodehouse story, who ventured that "golf is only a game." As the author explained: "Women say these things without thinking. It does not mean that there is a kink in their character. They simply don't realise what they are saying."

I pointed out that I too skipped church but communed with the Almighty on the links.

She was unmollified, perhaps because she had written a book about Bill Clinton, whose "billigans" -- mulligans taken anywhere and anytime -- and CBO-style scorekeeping could transmogrify several hundred shots into a score of 82. As for me, I preferred the transparency of Richard Nixon, who after wayward shots would simply declare, "Oh, that didn't count."

My wife also faulted Obama for playing more rounds of golf (32) in his first 14 months than George W. Bush did in his two terms (24).
 
The piece goes on to point out some additional relevant golf trivia, including Eisenhower's 800 rounds during his presidency -- and the fact that our only 20th century presidents who didn't play golf were Hoover, Truman, and Carter. It figures.

Golf has been getting a bad rap recently, largely because of Tiger Woods and, unfortunately, conservative disapproval of Obama root and branch. But I'm thinking Rush Limbaugh won't criticize Obama on this count because he's a devoted golfer himself of the kind the aforementioned P. G. Wodehouse wrote about in a story called, "A Mixed Threesome." As narrated by the Oldest Member (who has given up golf), a successful businessman toys with playing golf as a diversion but finds nothing worthwhile until he hits his first outstanding drive:

From this point onward, Mortimer Sturgis proved  the truth of what I have said about the perils of taking up golf at an advanced age. A lifetime of observing my fellow creatures has convinced me that Nature intended us all to be golfers. In every human being, the germ of golf is implanted at birth, and suppression causes it to grow and grow till -- it may be at forty, fifty, sixty -- it suddenly bursts its bonds and sweeps over the victim like a tidal wave...

Mortimer Sturgis gave himself up without a struggle to an orgy of golf such as I have never witnessed in a man...

Actually, Wodehouse is the real reason for this post. I'm recommending him as an anodyne for the poisonous mood we all feel ourselves tempted by these days even if we don't succumb to it entirely. Golf excels not as a game so much as an alternative universe that takes away the cares of real life by substituting its own humbling and ecstatic realities in their place. Which is a fine and healing thing. P. G. Wodehouse's stories about golf, on the other hand, are the armchair version of exactly the same phenomenon. No need for an expensive bag of clubs, lessons, greens fees, or caddy tips. For the price of a book, you really can get absolutely, completely away from it all. And you don't even have to like or play golf. It's still funny.

Does that sound good about now? You bet it does. Here's the book to buy. (Available from 44 cents up.)



Fact is, P. G. Wodehouse was a genius. Britain's last great novelist, Evelyn Waugh, declared that he had learned everything he knew about writing dialogue for his wicked satires from the gentle soul who wrote about golf, dimwit lords, and their terrible, intimidating ladies. The good news is that if you like the golf stories, that's just the beginning. You have almost a hundred hilarious and completely diverting novels to read, and there's not a mean bone anywhere in the lot. Properly rationed, that could last you through an Obama presidency to the year 2016.

You'll know right away. People either fall immediately in love with the timeless Wodehouse universe or they just never get it at all. Which are you?

You're also welcome to nominate your own flavors of "humor resistance." We have to find some way to keep laughing, don't we?





The Problem


MADITUDE. If you're good, you can distill all problems to one problem and make it stick. I can. My problem is Charles Krauthammer. I know he's the smartest man in the room, and I actually have this hope that off camera he's Denzel Washington in The Bone Collector, with his own Angelina Jolie to make his life better. But on camera, he's all I need to see that our country is slowly dying.  He's become the one famous person I want to meet. All I want to tell him is that I admire his intellect and his ability to keep sitting in that third chair on the Brit Brett Report. That's it, I swear. The National Review tracks him like a bloodhound chasing down a murderer. Here's their latest report:

Krauthammer's Take.

On President Obama’s remarking of the Tea Party movement that “You would think they would be saying thank you”:

I think it was Obama with his usual condescension — except he ratcheted it up to Code Orange into snootiness — where he looks down his nose at the gun-and-god crowd, the lumpenproletariat, as he sees it. And he ridicules them because they're not grateful enough to him.

And look, it's quite obvious what he’s talking about. He thinks that they are stupid because they don't recognize that he hasn't raised their taxes.

The point is the movement began a year ago before there were any hikes in taxes, but it was a prescient movement: it understood — and it wasn't really that hard to see, although a lot of the press entirely overlooked it — that if you’re going expand the government hugely (as he has) you’re going to have to end up raising taxes. There‘s no other way.

That's why we’re all talking about a VAT.

He’s assuming that these people are paranoid or agitated because they are expecting that taxes are going to rise. We just had the chairman of the Federal Reserve, who’s not exactly a member of the Tea Party, say exactly that. In order to sustain our economy, we’re going to have to raise taxes.

So it's a fact. And I think it is in his character to ridicule — this is a man on the day he won the Democratic nomination said that day would mark a day on which the earth began to heal and the oceans recede. So he does not have a low opinion of himself.

On Bill Clinton’s comparing the rhetoric preceding the Oklahoma City bombing to that of the Tea Party movement:

I think it's disgusting. It's a replay of what he did — his administration did — after Oklahoma City. Remember, that happened shortly after he got crushed in the mid-term elections, the Gingrich revolution, that he began his comeback by exploiting Oklahoma City and implying — and having his minions imply — that it was a result of Newt and Rush and all the agitated, angry white males, as it was called by the media at the time. This is a replay.

When there was dissent in the Bush years, he was called a Nazi, Cheney a war criminal, and there was actually a play on the assassination of George Bush — you didn't hear a word from him or others about agitated language.

When a Republican is in power, dissent is the highest form of patriotism. And when a Democrat is in power, dissent is near treasonous and a call to mutiny and insurrection. This is really disgraceful.

On the increasing talk of VAT:

Well, here is the syllogism. If you enact Obamacare, it follows as the night after the day that you have to have a VAT, and the reason is if you legislate yourself, as we just have done, into European levels of entitlements, you are going to have European-level taxation — or you will end up with Greek levels of debt.

And the easier option, ultimately, is going to be the VAT. It's not going to be today. It won't even happen after the 2010 elections, but I assure you if Obama is re-elected it will all of a sudden be a big issue and a big proposal of Democrats.

Which is why I can't watch the news anymore. I'm supposed to be reporting the key stories and insights to all of you, and all I can see is Krauthammer in his chair, declaring himself over and over like Marvin from Hitchhikers Guide to the Galaxy.

I have to shake it. I know I do. I will. I promise.

Maybe tomorrow.




Monday, April 19, 2010


April 19, 1981

The Shuteye Train, The Shuteye Train...

THE REMAKING OF WRITING CONTINUES. Before Instapunk, there was Writing America Down, the Delphi Forums, and places called Shuteye Town and Shuteye Nation.

Before all of them, there was a book: The Boomer Bible.

This book was published in 1991 by one R.F. Laird, but the book itself claims to have been written by an army of punk writers from South Street in Philadelphia.

Its Dedicatory page is dated April 19th, 1981, 29 years ago today. It reads:

To the Most Exalted and Dreadly Punk

DOCTOR DREAM

By the will of St. Nuke,
King of Punk City, in the Realm of Philadelphia,
Defender of Knowledge and Guardian of Valor

The Assemblers of the Boomer Bible seek Truth, Hope, and Justice
through the intermediation of the RAPTOR our Father


We, the Punks of Punk City, do hereby dedicate to you, our ultimate voice, this testimony of our pitiless anger against the population of the Most Chosen Nation in the History of the World. We so dedicate this work in the manner of a petition for your advent, and an invocation for your wrath. The number of petitioners is in excess of two thousands of us, which are represented by signatories identifying the most august and fierce of our kingdom, located on and about the environs of South Street, in the City of Brotherly Love.

We do not protest our right to receive you in your full power and eloquence; rather we invite your presence humbly, having demonstrated in such small ways as have been shown to us our willingness to exchange our lives for Ardor, and to devote our energies to Learning, notwithstanding the darkness of the Ignorance, Despair, and Indignity from which we came to embark upon this work. Further, we have sworn ourselves, and the strength of all our arms and instruments, to the rediscovery of the Light that had been so malignantly concealed from our blindered eyes. If there be some particle of value in this our shared monument, we do beseech you, on bended knee, to hear this petition, and so redeem our lives.

Over the last year, a far smaller group of people, punks of a different sort, have endeavored to bring this monumental work to the internet. As a shadowy reflection of the South Street Punks, they fastidiously labored to enter every word from the three major Testaments of the printed Boomer Bible into an online database. Along with the thousands of verses, they created a linking system to track the book's Intercolumn Reference (ICR), which is a key component of the book's content and structure.

Today, as we reveal to the world a fully cross-linked and searchable digital version of The Boomer Bible, we want to recognize the efforts of the "TBB Team," who are largely unknown to each other. Several are commenters on this site, but others remain in the shadows.

Elph-kun made the results of his own massive amount of work available: a PDF scan of the entire printed version and a Java-framed HTML version based on the scans. This sped the data entry process up immeasurably, and this project could have taken another long year without it.

Apotheosis established the database for online entry, created an interface for proofreading the entire work, and completed the manual entry of several books.

Lake organized the group effort, entered several books manually, and created a data entry system to allow for several books at a time to be entered.

Guy T. created scripts to output the database into HTML pages and coded the ICR links

marymcl painstakingly proofread the entire work, reporting hundreds of data entry errors and typos in the original printed work. This version of the book more closely matches the authors' vision than the original.

This is just the beginning. The Book of Harrier Brayer, a hyperlinked version of the Table of Harrier Days, the two Prefaces, and any remaining pieces will soon be added.

The team also hopes to create advanced tools for readers to better explore and understand the book. A multi-step ICR thread-following interface, an advanced search tool, and an iPhone / iPad app are all being considered, along with other possibilities. If you have suggestions, please post them. If you have skills in these areas and want to help further the process, please post a comment and I (Lake) will contact you.

The Boomer Bible has finally come to the Internet, where it belongs. The labor of the punk writers of South Street is now both everywhere and nowhere, a superposition of states made of electron pulses and packets stretching over the entire Earth. We hope that this effort inspires longtime readers of the book to return and discover new avenues of thought. We hope that new readers are empowered to explore this complex, multi-dimensional, and unique work that represents the mind of modern man and a new universe of consciousness-expanding possibility.

With the support of R.F. Laird and the compliments of the "TBB team," please enjoy for free, at least temporarily...

The Boomer Bible. Liberated at last from the printed page.

UPDATE VIA INSTAPUNK/hs. I'm told this will work if you want to honor the TBB Team:


I hope it does.

LAKE'S UPDATE. Thanks to IP for his update. Now it's time for mine. The Boomer Bible does not stand alone, even in our new multi-dimensional incarnation. It has a deep context, a complex backstory, and an entire mythology built around its core.

What is the importance of The Boomer Bible? Why should people be interested in a 20-year-old book that is now going out of print after having sold just under a hundred thousand copies? There are multiple reasons.

1. It's more obviously relevant now than it was at the time of its publication in 1991. Its primary subject was the worldview of the Baby Boomers who inherited prosperity and influence from the so-called Greatest Generation.

The book never found its proper audience at the time because it so successfully mimicked the nihilist perspective of the boomer generation until the final Punk Testament, which blasted everything that had gone before. The young reader for the National Review should have loved it, but hated it and never got to the surprise ending that would have pleased an educated non-poseur. Many of the other MSM reviewers of the time somehow knew the book was not their friend (largely because the book told them so). The author was told, early on, that despite a very favorable Wall Street Journal review, the book would never be reviewed in the New York Times. The publisher was confused and afraid for his life (all those crazy born-agains don't you know?). Bookstores placed it variously in the humor, religion, fiction, and sociology sections. A lot of people still bought it. It was large and unique on any shelf, and the hologram on the cover beckoned readers in. And truth to tell, a lot of reviewers outside New York loved the book, like the San Francisco Chronicle scribe who wrote that it was "one of the oddest, funniest, darkest, smartest and most innovative books to come along in years" and the Hartford Courant reviewer who proclaimed the book "a miracle." Though not one of them ever understood it.

Today, the Baby Boomers are in their full power, and it's time for Americans to revisit the one comprehensive attempt ever made to expose their philosophy and history.

2. The book was a significant innovation in form, not yet matched by any work of fiction written since. Some have called it the "last printed book," meaning that it straddled the era of paper and ink and the incipient era of electronic writing and Internet links.

Yet the mechanism for this straddling was very old. The Boomer Bible included an Intercolumn Reference akin to that included in the old King James Bible but with a significant difference. The links in the KJB were reciprocal, matching like with like, but they were in a sense self-cancelling, purely reflective.

In The Boomer Bible, the Intercolumn Reference (ICR) became the organizing principle of the entire work, an inductive tool that superseded the traditional linear reading process. Indeed, the ICR served to encompass history and memory and lasso it into a simultaneous map of the baby boomer consciousness, building vast networks of assumptions from a single verse. This is how that relates to this -- a model of how worldviews are created and sustained. It foreshadowed the structure of hyperlinking that was and is the key to the worldwide web, but it went further as well, linking not just content but ideas and concepts.

Nothing like it had ever been written before. It was both a demolition of chronological time (to replace it with simultaneous time across the ages as it exists in individual consciousness) and a picture of how people come to think of themselves and their place in life. It was a microcosm of the Internet on paper, written before the Internet took over our lives.

3. The book was itself, in all its referential interconnectedness, only one part of a much larger work that continues to this day. The originating conceit was that it was the work of a community of writers employing technology and a distinctly rebellious artistic vision to remake fiction altogether in an age when linearity -- the writer's one line from beginning to end -- would inevitably be replaced by a field of competing contexts -- and the confusing relations between them -- created by the new technology of hyperlinks and databases.

Like life itself, there would be no monolithic truth of the matter, no Joycean source that if sufficiently understood could explain the whole. Each reader would have to plot his own story, not on a line but through a field that forced him to declare his own self as part of the story. The implications of this expanded view of fiction are so large they require another number...

4. The Boomer Bible represents a performance of unreality as a challenge to truth. It exists as its own universe of links, a whole that can be "lit up" by the mind which can contain the text and all the specified interrelationships. It's a nonlinear universe. How much of its "shape" can you hold in your head at one time?

Beyond this, The Boomer Bible was generated as the product of a particular culture whose works, history, and technology are also available. The scriptural figures of the book's Punk Testament also have personal histories, conflicts, and works of their own. They are the context of The Boomer Bible.

Beyond even this, there is a mythology of the punks which produces the first truly integrated graphic/textual work of truly massive scale in the emerging computer technology -- Shuteye Town 1999 -- adding another 350,000 words and nearly 4000 graphics to the punk story. This is followed by a purely Internet work called Shuteye Nation, which is attributed to the same punks surviving into the 21st century. This led in turn to a website called InstaPunk which has produced approximately 2 million words of text and countless graphics carrying their mission forward under the old names.

All one work, representing every kind of writing there is, from fiction to journalism to essays to criticism to parody to satire to poetry to slapstick humor and back. And...

5. Things come in fives in the punk universe.

One work. By one author -- unless that author's quantum conceit that he can alter history from the present and bring the nonexistent into being by force of will is valid -- who more than any other writer of this or the past century has revealed his worldview to those who would comment on his creations.

Unlike all his forebears in the world of fiction, he tells us who he is, where he comes from, what he believes, so that the reader can plot his own course without the fake objectivity of the prevailing Hemingway model of 'modern' fiction: "I control the horizontal and the vertical..." is a princely claim of many writers. This is the one time it's true without being dictatorial.

More importantly, everything said above can be proved with links to what's already on the Internet. Use the IP search function. (Use your imagination.) Use the Wayback Machine. More will be provided than you can imagine in the months ahead, but you can get at least a tantalizing glimpse. Do it. Right now you can find ruins of a unique multimedia phenomenon. When else are ruins the precursor of advanced civilization? Precisely.




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